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Hindol Sengupta : ウィキペディア英語版
Hindol Sengupta

Hindol Sengupta (born 1979) is an Indian journalist, writer and entrepreneur. He lives in Delhi and is currently Editor-at-Large at Fortune India. In 2015 his seminal book on India's underbelly of entrepreneurship, Recasting India, was shortlisted for one of the world's most renowned prizes in economic writing, the Hayek Book Prize, given by the Manhattan Institute. He became the youngest writer ever, at 34, to be nominated for the Hayek Prize and the first ever from India.
At 22, he was Features Editor running the global feature service of the IANS, serving news features and long form journalism from India across more than 30 countries. At 25, he worked with Pearson Plc to write the first book on India’s mushrooming fashion industry, Indian Fashion, which became an industry standard. His next, at the age of 28, was Ramp Up : The Business of Indian Fashion, was described as a Thomas Friedmanesque take on the industry and once again became a defining text.
He was one of the youngest television journalists to have a prime time interview show, Talk Back on Bloomberg TV, at 28.
==The Liberals==
In 2012, he published his first creative non-fiction work, The Liberals, with HarperCollins India. This is the autobiography of liberalization, entertaining and engaging, it is an insider’s account of finding one’s place in a newly liberalized India. The book has won praise from a wide range of public intellectuals, including, British economist and Labour Party peer Lord Meghnad Desai who wrote, 'Hindol's droll memoirs will echo in many a young person's mind. He speaks for India's future.'The best-selling author Gurcharan Das called it, 'An engaging personal tale of the post-reform generation told with spirit by one of its children.' The columnist Santosh Desai spoke of the book's 'cheeky intelligence and delicious insight'. V. Raghunathan, the best-selling author, called it 'a charming piece of work' and the celebrated author and hotelier Aman Nath said he enjoyed, 'not just the piercing tone but the honesty of image and confession'.

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